Concluding a VSF testing event held at the Matrox Video facility in Munich, where multiple manufacturers with IPMX implementations validated core specifications, IPMX has now achieved a crucial phase of maturity. This event marks the transition of many of the essential IPMX documents — encompassing critical aspects of audio and video transport, HDCP, control plane requirements, and system timing — from draft to finalised specifications.

ST 2110 is making strides in the real world of big-time sports production as well. The Pac-12 Network, a major collegiate sports producer on the west coast, recently fired up a 42,000 square-foot broadcast and production facility that it will use for production of more than 850 live events each year.

Concluding a VSF testing event held at the Matrox Video facility in Munich, where multiple manufacturers with IPMX implementations validated core specifications, IPMX has now achieved a crucial phase of maturity. This event marks the transition of many of the essential IPMX documents — encompassing critical aspects of audio and video transport, HDCP, control plane requirements, and system timing — from draft to finalised specifications.

The Alliance for IP Media Solutions (AIMS) announced that it will be highlighting the global broadcast and Pro AV market’s increasing adoption of Internet Protocol Media Experience (IPMX) — a set of open standards-based protocols designed to ensure interoperability for AV-over-IP systems.
At the show, visitors to booth 5E550 will see IPMX-based hardware and software working together seamlessly in live demonstrations, while presentations held in the AIMS-IPMX Theater will focus specifically on the standard’s development and adoption.

For the first time in broadcasting college-football championship games, ESPN has made a big operational leap by establishing a fully IP-based production compound. All the production trucks parked outside NRG Stadium in Houston for tonight’s CFP National Championship between Michigan and Washington are fully connected via SMPTE ST 2110.

This year at IBC, the IP Showcase will take place on canal cruise boats from 10 a.m. to 4 p.m. on Sunday, Sept. 17. The event comprises six one-hour cruises. Each will accommodate up to 35 attendees and feature two 20-minute sessions from top experts, for a total of 12 presentations on a wide range of IP-related topics.

IPMX is a suite of open standards for AV-over-IP. IPMX has been built on core standards and specifications that have already been battle-hardened through their use in uncompressed broadcast environments — the critical toolsets are in place. By harnessing SMPTE ST 2110 and NMOS, IPMX creates a standardized approach for sending high-quality audio, video and control signals over IP networks.

The primary goal of AIMS and its members is to ensure that IPMX attains the same level of adoption and widespread implementation in the Pro AV industry as SMPTE ST 2110 has in broadcasting. Currently, IPMX is following a trajectory similar to that of SMPTE ST 2110, and is expected to reach a comparable level of market acceptance in the near future.

NDI and Dante AV provide their own strengths and benefits, but they are vastly different from IPMX. IPMX provides an ecosystem that is not proprietary and engineered with the flexibility to operate in 1GB up to 100GB networks. No matter the scale of the system, IPMX delivers the highest quality video and audio with low latency.

It enables manufacturers and developers to create low-latency, interoperable, IP-based AV products and applications. The VSF TR-10 suite outlines the differences between SMPTE ST 2110 and IPMX, with documents covering everything from system time and definitions, to using AMWA Networked Media Open Specifications (NMOS) APIs, to the transparent transport of AES3 audio using the RTP protocol.