+1 (650) 600-9686 [email protected]

Industry News

Brainstorming NMOS: Collaborating for the Common Good

This phased approach also makes it easier for manufacturers to feel more positive about implementation: “When we eventually publish the final versions, as opposed to the drafts, it isn’t a case of ‘good luck, this should now work.’ Instead, it is more like ‘this has been fully interop tested by multiple vendors and is good to go.’ So that created a lot of confidence for manufacturers to adopt NMOS and build products against the specs because they knew they had already been thoroughly tested.”

IPMX finalises key standards documents

Concluding a VSF testing event held at the Matrox Video facility in Munich, where multiple manufacturers with IPMX implementations validated core specifications, IPMX has now achieved a crucial phase of maturity. This event marks the transition of many of the essential IPMX documents — encompassing critical aspects of audio and video transport, HDCP, control plane requirements, and system timing — from draft to finalised specifications.

Is SMPTE ST 2110 the Future of Your Facility?

ST 2110 is making strides in the real world of big-time sports production as well. The Pac-12 Network, a major collegiate sports producer on the west coast, recently fired up a 42,000 square-foot broadcast and production facility that it will use for production of more than 850 live events each year.

IPMX finalises key standards documents

Concluding a VSF testing event held at the Matrox Video facility in Munich, where multiple manufacturers with IPMX implementations validated core specifications, IPMX has now achieved a crucial phase of maturity. This event marks the transition of many of the essential IPMX documents — encompassing critical aspects of audio and video transport, HDCP, control plane requirements, and system timing — from draft to finalised specifications.

AIMS Announces Plans for ISE 2024

The Alliance for IP Media Solutions (AIMS) announced that it will be highlighting the global broadcast and Pro AV market’s increasing adoption of Internet Protocol Media Experience (IPMX) — a set of open standards-based protocols designed to ensure interoperability for AV-over-IP systems.
At the show, visitors to booth 5E550 will see IPMX-based hardware and software working together seamlessly in live demonstrations, while presentations held in the AIMS-IPMX Theater will focus specifically on the standard’s development and adoption.

CFP National Championship 2024: Game Creek Sets Up IP-based Compound as New Varsity Truck Caps First Season

For the first time in broadcasting college-football championship games, ESPN has made a big operational leap by establishing a fully IP-based production compound. All the production trucks parked outside NRG Stadium in Houston for tonight’s CFP National Championship between Michigan and Washington are fully connected via SMPTE ST 2110.

IBC 2023: IP Showcase Takes to the Water

This year at IBC, the IP Showcase will take place on canal cruise boats from 10 a.m. to 4 p.m. on Sunday, Sept. 17. The event comprises six one-hour cruises. Each will accommodate up to 35 attendees and feature two 20-minute sessions from top experts, for a total of 12 presentations on a wide range of IP-related topics.

The Future of AV-over-IP is Open with IPMX

IPMX is a suite of open standards for AV-over-IP. IPMX has been built on core standards and specifications that have already been battle-hardened through their use in uncompressed broadcast environments — the critical toolsets are in place. By harnessing SMPTE ST 2110 and NMOS, IPMX creates a standardized approach for sending high-quality audio, video and control signals over IP networks.

Viewpoint: Pioneering the Future of AVoIP

The primary goal of AIMS and its members is to ensure that IPMX attains the same level of adoption and widespread implementation in the Pro AV industry as SMPTE ST 2110 has in broadcasting. Currently, IPMX is following a trajectory similar to that of SMPTE ST 2110, and is expected to reach a comparable level of market acceptance in the near future.

IPMX demystified with short answers to tough questions

NDI and Dante AV provide their own strengths and benefits, but they are vastly different from IPMX. IPMX provides an ecosystem that is not proprietary and engineered with the flexibility to operate in 1GB up to 100GB networks. No matter the scale of the system, IPMX delivers the highest quality video and audio with low latency.

AIMS Booth at SMPTE 2020: ‘Game On’ Will Offer Educational Videos and Resources on Media Over IP

“The industry’s embrace of IP has accelerated in past months, with new business pressures and technical challenges driving adoption and innovation,” said AIMS Chairman Mike Cronk. “Ongoing education is vital to the success of new and expanding media-over-IP implementations, and the SMPTE annual technical conference is an ideal forum in which to share expert perspectives, insights, and practical advice on leveraging standards and specifications to achieve interoperability in the IP environment.”
read more

AIMS Chairman Mike Cronk On ST-2110; IP Oktober Webinars Available On Demand

Cronk says that SMPTE ST-2110 continues to make gains, especially in areas like making configurations and connections simpler. And the AIMS membership continues to add members from the professional A/V community and that efforts related to IP in that community, notably IPMX and new ways to put the ST-2110-2 standard for compressed transport is the kind of work that could benefit the traditional broadcast market.
read more

SVG Tech Insight: Establishing A Safe, High-Quality Sports Production With Modern Technologies

Typically, SMPTE-2110 systems afford more flexibility, as its ethernet transmission base allows for embedding and disembedding of audio or video. NMOS (Networked Media Open Specification) control of all IP converters, for instance, can be centralized to a remote laptop station to ensure the safety of the operating staff and allow the operator to dynamically route video and audio essences with ease. New sources can be added dynamically as needed, and just as with fiber, an existing network can be easily updated by using an appropriate IP converter at each end of the video signal chain, to provide safer distancing with high quality and low latency video. IP offers advantages to both live production for OB trucks as well as to permanent studio installations, with the ability to scale to almost any format and frame rate further down the road. IP does require much more complex installation and management than fiber.
read more

Game Creek Video Deploys Five New SMPTE ST 2110-Based Mobile Units

The 53-foot-long expandable units are entirely IP-based facilities. Game Creek Video rolled out the first two production units, Bravo and Columbia, in late 2019. They were followed this year by Gridiron A and B and Celtic. Gotham is currently being completed. Fox Sports will use Bravo and Gridiron for NFL and college football coverage, while CBS Sports has reserved Columbia and Celtic for its NFL and college basketball broadcasts. MSG Networks will use Gotham for its New York Rangers hockey and New York Knicks basketball coverage.
read more

SMPTE 2020: ‘Game On’ Introduces Series of Program Sessions Optimized for Attendees in the Asia-Pacific Region

SMPTE® today announced that SMPTE 2020: “Game On,” the Society’s interactive and immersive remote technical conference experience, will include a series of technical sessions, roundtable discussions, and networking events specially designed for attendees who live or work in the Asia-Pacific (APAC) region. The APAC program will feature four hours of programming per day on 11 and 12 November, beginning with breakfast roundtables at 8 a.m. Hong Kong / 9 a.m. Tokyo/Seoul / 11 a.m. Sydney. NMOS – The Interoperable Control System for an IP World Speaker: Jed Deame, Nextera Video
read more

Mobile TV Group Reflects on Launch of 47 Flex Mobile Unit, Looks Ahead to New Cloud Control Platform

“This is our third all-IP mobile unit, but it’s the first [in which] the native device-to-device IP connection is made through NMOS-04 and -05,” says Phil Garvin. “That is huge because it reduces the installation and coordination time for an IP truck dramatically. That’s the big change here. It’s getting close to the point of plug-and-play, where you can connect two IP devices and they just talk to each other. There’s no question that native IP has been difficult, but it’s now getting easier with advancements we’ve made.”
read more

IP Showcase Channel at 2020 NAB Show New York Goes Live Today

The Alliance for IP Media Solutions (AIMS) is live today at the 2020 NAB Show New York with its own IP Showcase channel. The IP Showcase channel gives attendees a unique opportunity to take in instructional and case-study presentations from industry-leading vendors and broadcasters. A series of 35-minute presentations and discussions will focus on the broadcast industry’s move to standards-based IP infrastructure for real-time professional media applications. All content will be posted for on-demand viewing and available for 30 days. IP Media Network Management Using NMOS featuring Jed Deame, Founder and CEO, Nextera Video
read more

Grass Valley Technology Behind the World’s Largest SMPTE 2110 IP Network at BBC Cymru Wales New Central Square HQ

The broadcaster’s new purpose-built national headquarters, which replaces the old Llandaff complex – home to the broadcaster for over 50 years – is the first BBC facility built completely around IP technology, and the world’s largest SMPTE 2110 IP routing system for broadcast. BBC Wales will benefit from future-ready production and broadcast capability that can easily evolve with its changing needs.
read more

Preserving PTP in Remote Production Environments

IP is a key enabler of remote production applications, as it supports transport of both audio and video, as well as the data, communications and control signals critical in the production environment. Oftentimes, the challenge lies in connecting two remote sites, each with its own media-over-IP infrastructure but lacking the IP switching and Precision Time Protocol (PTP) implementation essential to preserving timing and synchronization across both sites. PTP specifies a methodology for synchronizing devices to a single shared clock across packet-based networks (using SMPTE ST 2110 and AES67), including Ethernet switches and IP routers. Creating a common time base for multiple AV sources, PTP enables synchronization of device clocks to within nanoseconds, even across a large network.
read more

AIMS IP Oktoberfest: How to Plan and Deploy a SMPTE ST 2110 Network

To move forward with the design and deployment of a SMPTE ST 2110 network, Robert Welch, technical solutions lead at Arista, has a simple piece of advice: work backwards. “Try to figure out what you are trying to do with it [the network], and then go in reverse,” said Welch during his “Proper Network Design and Considerations for SMPTE ST 2110” presentation, the final session at the virtual AIMS (Alliance for IP Media Solutions) IP Oktoberfest 2020.
read more

NEP Group Rolls Out IP-Based Supershooter 4, Supershooter 9 Production Units

NEP Group has introduced two new mobile production units with the latest IP innovations for the fall’s return of live sports and entertainment. NEP Supershooter 9 and NEP Supershooter 4 launched with advanced, fully IP-based technology and the latest creature comforts amid health and safety measures required to operate safely in today’s production environment. The mobile units are the fourth and fifth IP production units in NEP’s U.S. lineup, building upon the company’s rollouts of SMPTE ST 2110 EN3, M15 and Supershooter 8 since 2018.
read more

AIMS ‘IP Oktoberfest’ to Update Industry on Transition

“The migration toward IP-based media workflows has accelerated in recent months, so it's more important than ever that broadcast and pro AV professionals have access to current information on the standards and solutions supporting this shift,” said Mike Cronk, AIMS chairman of the board. “We've designed IP Oktoberfest 2020 to offer this information in an engaging, interactive format with plenty of opportunity for discussion.”
read more

How to move incrementally to IP

The broadcast industry is understandably focusing on the infrastructure of the future, and without doubt this will be based on IP, and built on standards like SMPTE ST 2110 and NMOS IS-04/05...broadcasters must concentrate on building out the IP media network, which of course provides the greatest benefits in terms of costs-savings and workflow transformation. As part of this though, they need to consider how to accommodate SDI equipment, and indeed in some cases SDI networks.
read more

Tech Focus: Streaming Technology — The Pandemic Speeds Transition to IP

Broadcast sports production was already well on its way to embracing an IP-based workflow before COVID-19 arrived and compelled sports to shut down last March. Unlike some other technology migrations — such as the shift from stereo to surround and current moves towards immersive sound, both driven largely by the technologies themselves — the move to IP has been propelled by its own business case. “COVID-19 emphasized the need for IP workflow and sped up its uptake,” says Stephan Türkay, senior product manager, media infrastructure, Lawo. “The difference between before and now is that, last year, the driver for IP was scale and now it’s about enabling people to work [more remotely]. [It’s] a different kind of REMI, with fewer people in the same control room. Being able to implement social distancing in the production workflows is vital.”
read more

IP Showcase – Summer Sessions 2020

Each week a new session will be available for replay where an industry expert will deliver a presentation focused on media-over-IP workflows or use cases and their supporting technologies. Joined by sponsors, AES, AMWA, EBU, SMPTE, and the Ultra HD Forum, AIMS and VSF have created 15 weekly sessions. Presentations will feature expert commentary and use a wealth of experience and technical knowledge to delve into key aspects of media-over-IP. What is NMOS? Secure Control Case Study, Jed Deame, CEO, Nextera Video.
read more

Marquee Sports Network Spotlight, Part 1: Inside the RSN’s New ST 2110 IP Production Facility in Wrigleyville

Early on the in the network’s development, Sinclair Broadcast Group GM Mike McCarthy, his team of engineers, and Marquee’s production team, lead by SVP, Programming/Production, Mike Santini, decided to build a state-of-the-art, IP-based ST 2110-compliant facility. In addition, Marquee enlisted Mobile TV Group to build out an ST 2110-based mobile unit, which resulted in the RSN’s new 47 Flex mobile unit parked at Wrigley Field.
read more

2020 Sports Emmys: A Deeper Look at the Big Production and Technology Winners

A world feed was produced in Riot’s Los Angeles-based facilities that was delivered in 19 different languages to more than 40 distribution parters in a spectacular technical effort. And in the heat of battle, Riot Games’ Esports Technology Group decided to innovate with the new JPEG XS compression format – realizing what is probably the first trans-Atlantic remote production undertaken using JPEG XS. SVG Europe’s Fergal Ringrose was in Paris to speak with Riot Games Esports Technology Group head Scott Adametz to break down the overall production, notably how Riot used SMPTE 2110 both in Paris and Los Angeles to distribute uncompressed and compressed video segments.
read more

How SMPTE Standards Support Next-Gen Content Creation and Consumption

The COVID pandemic has accelerated developments that were already underway, and many media organizations have moved forward more boldly in migrating from SDI to IP, from a push-based distribution model to a collaborative supply chain, from physical hardware to virtualized software systems, from equipment rooms to the datacenter, from physical equipment to cloud- and service-based workflows, from centralized to distributed productions, and from manual tasks to automated workflows.
read more

Vox Pop: The Road To IP

Over the past few years, we’ve seen the broadcast industry shift from expensive, inflexible hardware defined contribution and distribution solutions to more flexible and dynamic software-defined solutions that rely on IP distribution for live and live linear video.
read more