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Industry News

AIMS to host in-depth IPMX training sessions at 2025 NAB Show

The Alliance for IP Media Solutions (AIMS) invites attendees of the 2025 NAB Show to join “IPMX Training: The Essentials,” an exclusive, in-depth training session focused on IPMX, the emerging open standard for AV-over-IP based on SMPTE ST 2110 and AMWA NMOS. Taking place on Tuesday, April 8, from 10 a.m. to 2 p.m. in the Las Vegas Convention Center West Hall, Room W317, this free-to-attend session will deliver practical, real-world knowledge for anyone working with media-over-IP technology

ESPN and Game Creek Video’s New ‘Once-in-a-Generation’ Mobile Unit Is Capable of Native UHD HDR at Super Bowl Scale

Super Bowl LXI may still be two years away, but ESPN is already ringing in its first Super Bowl season with a new state-of-the-art mobile unit from Game Creek Video. Dubbed Flagship, the three-truck SMPTE ST 2110 facility was designed specifically to produce a Super Bowl–level show in UHD HDR and will serve as home to ESPN’s NBA A-game and Monday Night Football shows prior to Super Bowl LXI on ABC/ESPN in February 2027.

Seamless SMPTE 2110: A Discussion on Making the Move to IP Less Painful

In this exclusive panel discussion, video engineers and producers discuss the topics relevant to those who are looking to transition to or optimize their current systems using SMPTE 2110 standards.

IP Showcase To Focus On IP, Broadcast Tech Convergence at 2025 NAB Show

As broadcasters and AV professionals increasingly rely on shared IP-based infrastructures, IPMX provides an open-standards-based technology that enables seamless interoperability, high performance and scalability across diverse applications. With NAB’s growing focus on Pro AV, this year’s show offers the perfect platform to demonstrate how IPMX is driving innovation, breaking down barriers, and unifying the way we create, distribute and experience content.

What Integrators Need to Know About IPMX

IPMX delivers a non-proprietary standard for pro AV video solutions, enabling interoperability between manufacturers and offering the freedom to mix and match products like encoders and decoders.
Its flexibility supports diverse workflows, including HDMI-based presentation systems and live production environments, making it a versatile solution for varied customer needs.
By reducing technical barriers, IPMX empowers AV integrators to focus less on bridging technology gaps and more on delivering creative, scalable solutions.

Mercedes-Benz Stadium Overhauls Production Ecosystem With Upgraded Control Rooms, New Integrated Workflows

Among professional-sports venues, Mercedes-Benz Stadium is one of the busiest in the country. After providing world-class experiences for seven years, its in-house production space needed a refresh to keep up with the year-long schedule. Implemented in three phases during 2024, new SMPTE 2110–powered control rooms have upgraded production quality in Atlanta.

ISE 2025: A Look Into AIMS Member Kiosks

“The partner kiosks offer ISE attendees in-person demonstrations of the rapid advancement of the standard, and its ease of implementation across multiple technologies and verticals. Thanks to the collaboration of these member companies, ISE 2025 will be a feast of information and practical application of the open-standard for AV-over-IP.”

VidTrans 2025 to Focus on Security, Dynamic Media Production

Video Services Forum (VSF) today announced that the VidTrans 2025 conference and exposition will take place Feb. 25-27 at the Marina del Rey Marriott in Marina del Rey, Calif. The 2025 event will address security in media production, evolving live media cloud connectivity, IPMX, and other cutting-edge technologies.

ISE 2025: AIMS to Reveal Whirlwind of IPMX Activity

Created by AIMS in collaboration with VSF and AMWA, IPMX implements a standards-based approach based on SMPTE ST 2110, with features and capabilities that target the specific needs of the broadcast and Pro AV industries. In addition to simplifying the implementation of SMPTE ST 2110 and ensuring interoperability for AV-over-IP systems, IPMX incorporates core features tailored to Pro AV installations.

Spotlight on the sports: Production trends that shaped 2024, according to AJA

2024 may just go down as the year of SMPTE ST 2110. Enabling sports broadcasters to move uncompressed video, audio, and metadata over dedicated IP networks with low latency, the set of IP standards drew new attention from broadcasters and production facilities alike in 2024. More broadcasters and production teams embraced the technology, often in an IP sandbox, or hybrid SDI/IP environment, to seamlessly deliver uncompressed 4K/UltraHD HDR video across productions.

Blurred broadcast lines

Thanks to the efforts of SMPTE and multi-vendor promotional body AIMS (Alliance for IP Media Solutions) in galvanising broadcast around the open standard ST 2110, broadcasters are able to build new IP-based facilities using best of breed equipment from a whole range of vendors. In this regard, the AV community lags behind. “SMPTE 2110 is an accomplishment that drew in end users, manufacturers, and all other stakeholders in products and services,” says Racine. “It may take longer, but this is inevitable in pro AV as well.”
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SMPTE ST 2110 a Success in Review

“The beauty of ST 2110 is that it allows this complexity,” Devlin adds. “It does everything from SD all the way up to 8K RGB 12-bit uncompressed to a solution demanding a 100GB link streaming video in one direction. In either case you are using the same protocols, the same switching, the same standard IT architectures.” From that standpoint 2110 is about as successful as anything the TV industry has ever done, Mailhot says. “At the beginning [2110 compatible product] was built speculatively. Today, it is available because the market demands it.”
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AV-over-IP: Decisions, decisions…

ST 2110 is proven and deployed, and as SMPTE, AMWA, VSF and the AIMS Alliance add further AV-specific features to IPMX, it can leverage the software platforms and programmable SoC devices that are likely to be already in your system for updates. It’s still the standard to choose if you want least risk and a future-proof AV-over-IP implementation.
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Whatever Happened to SDI?

Today, ST 2110 technology is widely available from all the vendors you are likely to deal with, and it is field proven—not a science experiment. Major systems integrators the world over all have experience in building systems based on SMPTE ST 2110.
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SMPTE Earns Two 2020 Emmy® Awards for Technology and Engineering

The SMPTE ST 2110 suite of standards is a major contributing factor in the movement toward one common internet protocol (IP)-based mechanism for the professional media industries. The standards suite, which is built on the VSF Technical Recommendation for Transport of Uncompressed Elementary Stream Media Over IP (TR-03), specifies the carriage, synchronization, and description of separate elementary essence streams over IP for real-time production, playout, and other professional media applications.
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In the Business of News

Pebble Beach Systems, which had already worked with Bloomberg UK to deliver a similar system, was mandated to build a modern 2110 NMOS-compliant set-up capable of providing the dynamic and complex switching required for a business news channel. Its real benefit is that it is future-proof and flexible, using the latest technology advances to build a complex pipeline (transmission chain) encapsulated in a redundant server pair with no compromise on reliability.
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M6 Embraces The Benefits Of Evertz IP Technology For Its New Playout Centre

Leading French broadcaster Metropole Television SA (commonly known as the M6 Group) has futureproofed its new Master Control Room near Paris by placing state of the art Evertz IP technology at the heart of its operation. The switch from SDI to IP (ST 2110) will allow M6 to easily incorporate new HD services, new delivery platforms and new video formats such as Ultra HD 4K and 8K.
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MediaHub Australia Makes a Significant IP Upgrade With EVS, Magna Systems

"Our key requirements were to have flexible gateways or server devices to convert any incoming signal format from various service providers – who deliver as SDI/IP/ASI – to a standard IP format SMPTE-2022-6/7 or SMPTE 2110 for our MCR to process,” says MediaHub’s Executive Head of Technology, Simon Scott. “One of the key needs was operational control surfaces to provide the same touch and feel of a traditional SDI routing system, but with the signals being managed in IP workflows."
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AIMS Booth at SMPTE 2020: ‘Game On’ Will Offer Educational Videos and Resources on Media Over IP

“The industry’s embrace of IP has accelerated in past months, with new business pressures and technical challenges driving adoption and innovation,” said AIMS Chairman Mike Cronk. “Ongoing education is vital to the success of new and expanding media-over-IP implementations, and the SMPTE annual technical conference is an ideal forum in which to share expert perspectives, insights, and practical advice on leveraging standards and specifications to achieve interoperability in the IP environment.”
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AIMS Chairman Mike Cronk On ST-2110; IP Oktober Webinars Available On Demand

Cronk says that SMPTE ST-2110 continues to make gains, especially in areas like making configurations and connections simpler. And the AIMS membership continues to add members from the professional A/V community and that efforts related to IP in that community, notably IPMX and new ways to put the ST-2110-2 standard for compressed transport is the kind of work that could benefit the traditional broadcast market.
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SVG Tech Insight: Establishing A Safe, High-Quality Sports Production With Modern Technologies

Typically, SMPTE-2110 systems afford more flexibility, as its ethernet transmission base allows for embedding and disembedding of audio or video. NMOS (Networked Media Open Specification) control of all IP converters, for instance, can be centralized to a remote laptop station to ensure the safety of the operating staff and allow the operator to dynamically route video and audio essences with ease. New sources can be added dynamically as needed, and just as with fiber, an existing network can be easily updated by using an appropriate IP converter at each end of the video signal chain, to provide safer distancing with high quality and low latency video. IP offers advantages to both live production for OB trucks as well as to permanent studio installations, with the ability to scale to almost any format and frame rate further down the road. IP does require much more complex installation and management than fiber.
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