+1 (650) 600-9686 [email protected]

Industry News

Global Live IP Broadcast Equipment Market to Reach USD 3.72B by 2032, Growing at 16% CAGR

Global Live IP Broadcast Equipment market was valued at USD 1.34 billion in 2024 and is projected to grow from USD 1.56 billion in 2025 to USD 3.72 billion by 2032, registering a CAGR of 16.0% during the forecast period.

Esports World Cup 2025: Inside EFG’s Hybrid Production

The Olympics of the esports universe are heading into the final stretch. Concluding on Aug. 24 in Riyadh, Saudi Arabia, the Esports World Cup, which began July 8, has featured competitions around two dozen gaming titles and a total prize totaling more than $70 million. To produce the eight-week event, ESL FACEIT Group (EFG), Official Operating Partner of EWC, deployed a hybrid model combining baseband workflows with ST 2110 architecture.

A Texas Transformation: University of Texas at Austin Goes IP, Connects Its Athletics Campus with ST 2110

When it comes to big business college athletics, it doesn’t get more mammoth than at the University of Texas at Austin. Among the many facility upgrades that the Longhorns have made over the past handful of years, the department has also made the critical switch to IP for its video production workflows.

IBC2025’s ‘IP Showcase on the Water’ Sets Its Course for Sept. 14

The one-day Sept. 14 event will be held on canal cruise boats launched from Strandzuid, near the convention center. Complimentary registration is now open to reserve a seat for any of the six one-hour cruises. Each cruise will accommodate up to 35 attendees and feature two 20-minute sessions from industry experts, for a total of 12 presentations.

2025 SVG Venues & Teams Summit Delves Into the Future of Game-Day Production Tech at Intuit Dome

The 2025 SVG Venues & Teams Summit delivered a day packed with innovation, insight, and inspiration — from the cutting-edge confines of the Intuit Dome, the new home of the NBA’s Los Angeles Clippers. With its SMPTE ST 2110–based control room, revolutionary double-sided halo board, and immersive fan-focused design, the Dome was an appropriate setting for a deep dive into the technologies shaping the future of live event production and in-venue storytelling that drew more than 250 video-production professionals.

DAZN Rolls Out ST 2110 Global Master Control Room For FIFA Club World Cup 2025

With global rights to the tournament and with growing demand for the group’s other sports content around the world, DAZN required an infrastructure capable of supporting the complexity and pace of some of the world’s most high profile and dynamic sporting events. Working with Techex, DAZN built a new SMPTE ST 2110-based global master control room (MCR) in Leeds, UK.

Fuelling a new era in sports broadcasting

With more than 150 OB vehicles supporting sports, entertainment, news and other major productions and events in the Americas, Europe and Australia, NEP boasts the largest OB fleet in the industry. This February, the group unveiled its first large-scale OB vehicle in the Middle East. The ME-01 OB truck made its debut at UFC Fight Night: Whittaker vs. Aliskerov, the first UFC event ever held in Saudi Arabia.

AIMS to host in-depth IPMX training sessions at 2025 NAB Show

The Alliance for IP Media Solutions (AIMS) invites attendees of the 2025 NAB Show to join “IPMX Training: The Essentials,” an exclusive, in-depth training session focused on IPMX, the emerging open standard for AV-over-IP based on SMPTE ST 2110 and AMWA NMOS. Taking place on Tuesday, April 8, from 10 a.m. to 2 p.m. in the Las Vegas Convention Center West Hall, Room W317, this free-to-attend session will deliver practical, real-world knowledge for anyone working with media-over-IP technology

ESPN and Game Creek Video’s New ‘Once-in-a-Generation’ Mobile Unit Is Capable of Native UHD HDR at Super Bowl Scale

Super Bowl LXI may still be two years away, but ESPN is already ringing in its first Super Bowl season with a new state-of-the-art mobile unit from Game Creek Video. Dubbed Flagship, the three-truck SMPTE ST 2110 facility was designed specifically to produce a Super Bowl–level show in UHD HDR and will serve as home to ESPN’s NBA A-game and Monday Night Football shows prior to Super Bowl LXI on ABC/ESPN in February 2027.

Seamless SMPTE 2110: A Discussion on Making the Move to IP Less Painful

In this exclusive panel discussion, video engineers and producers discuss the topics relevant to those who are looking to transition to or optimize their current systems using SMPTE 2110 standards.

NEP unveils first ST 2110 IP-based production truck in North America for ESPN

Every NEP launch pushes the technological envelope. The debut of EN3 for ESPN on March 30, however, was historic: it’s the first truck in North America built around a SMPTE ST 2110 IP routing core. After a long standardization process, SMPTE officially published the first standards within ST 2110 Professional Media Over Managed IP Networks in December, and EN3 is the first mobile unit to be designed and integrated specifically around the new standards suite.
read more

“NEP’s first single-truck unit with IP based routing easily adapts to different formats and standards, creating greater flexibility”

I would say NEP is the US outside broadcast (OB) market technology leader in IP-based systems. 1080P, HDR and 4K were topics of daily discussion at NEP several years back, so the move to IP was firmly on our radar. However, we had to time it right to create a format agnostic system that provides a robust path into the future.
read more

“SMPTE 2110-30 was developed specifically to make audio as compatible as possible with video. By using the widely-accepted AES67 standard as a base, this new standard allows a wide range of existing audio equipment to harmonize with the rest of the 2110 suite.”

The full title of SMPTE ST 2110-21 is “Professional Media Over Managed IP Networks — PCM Digital Audio.” This standard is closely related to, and heavily based on AES67, which is titled “AES standard for audio applications of networks — High-performance streaming audio-over-IP interoperability.” Although the document titles may not be totally self-explanatory, both standards are all about transmitting raw, uncompressed samples of audio signals directly within RTP/UDP datagrams using an IP network.
read more

World’s first transatlantic SMPTE 2110 IP live transmission yields no discernible operational latency

Sony and CenturyLink, Inc. (NYSE: CTL) today announced the successful completion of a test to determine the operational latency of a long-distance Remote Integration (REMI) connection between New York and London. Broadcasters today are challenged to meet an ever-growing demand for video content at the lowest cost possible. However, remote production workflows, which reduce costs, can often result in operational latency when content travels internationally. As part of this test, the companies simulated a live broadcast for a global news organization, resulting in the world’s first transatlantic SMPTE 2110 IP live transmission. The simulation yielded no discernable operational latency on the video sources.
read more

SMPTE ST 2110-21: New standard has rules to ensure high-bitrate video streams don’t overwhelm IP networks

The full title of SMPTE ST 2110-21 is “Professional Media Over Managed IP Networks: Traffic Shaping and Delivery Timing for Video.” Both of these terms refer to the same basic topic: how are the packets transmitted over the network, from the perspective of both the sender and the receiver? In other words, how should packet flows be sent into the network “pipes” so as to not cause flooding (of packets)? Answering these questions is crucial for properly provisioning network connections to support as many signals as possible without causing packet congestion, which could lead to packet loss.
read more

SMPTE ST 2110-20: New standard frees up valuable bandwidth

The full title of SMPTE ST 2110-20 is “Professional Media Over Managed IP Networks: Uncompressed Active Video,” and that is a good indication of what is contained in the standard. Specifically, uncompressed video images are transported (just like SDI), but only the data that make up the “active” portion of each video frame. In other words, just the image samples (also called pixels) that comprise the pictures to be delivered to viewers are transported within the new IP video format.
read more

SMPTE Launches Virtual Course on SMPTE ST 2110, Professional Media Over Managed IP Networks

SMPTE®, the organization whose standards work has supported a century of advances in entertainment technology and whose membership spans the globe, today announced that in March 2018, the Society will offer "Understanding SMPTE ST 2110: Live Production of Professional Media Over Managed IP Networks," an educational program focused on SMPTE ST 2110. Led by SMPTE Fellow Thomas Bause Mason, this SMPTE Virtual Classroom course will provide attendees with the knowledge they need to help their companies make the most of SMPTE ST 2110, a critical enabler of fully internet protocol (IP)-based operations.
read more

Adeas and Nextera Press Release

Adeas and Nextera collaborate on SMPTE 2110 + 2059 Complete Solution October 31, 2017 - El Dorado Hills, CA and Eindhoven, The Netherlands – Nextera Video, Inc. and Adeas B.V. are pleased to announce they have partnered up to provide a complete SMPTE 2110 solution...

read more

CSS Group and CCTV build China’s first SMPTE 2110 based IP system for the 23rd Winter Olympics in Pyeongchang, Korea

UHD (ultra-high definition) technology has gained increasing popularity with the development of broadcast & TV industry in recent years. From front-end production systems to TV terminals, the UHD technology has gradually shifted from early tentative ideas to mature industrial applications. The early UHD scheduling systems used to adopt four cables and one UHD channel for transmission, which imposed severe restrictions on the system in terms of construction, operability, and system performance. After official publication of SMPTE2110 standard and in view of the rapid evolution of high-bandwidth network devices (25G/40G/100G…), IP-based UHD signal scheduling and processing systems will be the natural technical trends for TV media industry.
read more

What SMPTE-2110 Means For Broadcasters

At last month’s IBC Show, SMPTE announced that three of the main documents in the new series of IP video standards (SMPTE ST 2110) have been finalized. Years of work have led up to this point, which should prove to be a pivotal moment in the ongoing migration of media networks to use IP networking technology. Once this new standard is fully released and implemented over the next few months, manufacturers will be able to supply devices that can seamlessly interconnect uncompressed video, audio and other important metadata between devices that support every conceivable video processing function.
read more

SMPTE 2017 Press Release

Nextera's OEM Video over IP Solutions October 13, 2017 - El Dorado Hills, CA - Nextera Video is excited to offer their new line of OEM Video over IP boards, boxes, and control software. These products will enable OEM customers to provide differentiated solutions with...

read more

IBC 2017 Invitation

July 20, 2017 - El Dorado Hills, CA - Stop by! Nextera will be participating in the IP Showcase at IBC2017, September 15th - 19th, 2017 at RAI Amsterdam. If you would like to schedule a one on one meeting to learn more about Studio Video over IP or Nextera's...

read more

What SMPTE 2110 is exactly and why it matters for IP production

There has been a huge amount of activity in the area of IP standards in recent months, with the AIMS-championed SMPTE 2110 suddenly emerging very much as the front runner. There may be a breakout of peace in Las Vegas this week as the industry talks about openness, harmonisation and compatibility. That’s in sharp contrast to the mood music this time last year and even at IBC 2016 where vendors were divided into different camps in a battle to control the very fabric of future production: IP. End users couldn’t or wouldn’t distinguish between AIMS, Sony, ASPEN or NewTek since they just wanted the industry to settle on one method of working and simply get on with it.
read more