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Industry News

The Pro AV World in 2026: What has Changed Since Last Year?

The biggest change in the last six months is that modern networked AV is no longer just about moving signals over IP. It is, noticeably, much more about running AV as an IT-governed service. In the 2025 AV Technology article, thought leaders emphasized open standards such as IPMX and SMPTE ST 2110, cloud-native management, predictive maintenance, and the need to avoid vendor lock-in. In 2026, that has become more concrete. AIMS used ISE 2026 to formally launch IPMX as a certifiable standard, a meaningful step for buyers who want interoperable, standards-led deployments rather than proprietary ecosystems alone.

IP Showcase’ Returns To 2026 NAB Show

The Alliance for IP Media Solutions (AIMS), Advanced Media Workflow Association (AMWA) and the Video Services Forum (VSF) say that the event, running April 18-22 in the West Hall of the Las Vegas Convention Center, will focus on how open IP standards bridge real-time production with cloud-native and distributed workflows — with the recently finalized and certified IPMX standard taking center stage.

AIMS will feature demonstrations of certified IPMX products in Booth W1355, while also presenting hands-on training sessions in Room W317.

Case Study: Inside NC State’s Fast-Track Migration to SMPTE ST 2110

Choosing SMPTE ST 2110 positions us for the future. IP-based systems offer higher capacity, flexibility, and scalability than baseband. Lifecycle upgrades will introduce IP-native cameras, switchers, and replay systems, reducing reliance on baseband without disruptive overhauls.

SMPTE ST 2110 IP Media Roadshow

The SMPTE ST 2110 IP Media Roadshow is a hands-on, full-day training program for media professionals navigating the shift from SDI to IP-based production, focused on how IP systems actually perform in real broadcast, live production, and hybrid SDI-IP environments.

Participants leave with the practical knowledge to implement, troubleshoot, and scale IP systems with confidence — and a shared technical vocabulary that strengthens collaboration across engineering, IT, and operations teams.

Orlando Magic Jump Into ST 2110 With New Production-Control Room at Kia Center

Tipping off the second half of the 2025-26 home schedule against the Houston Rockets at Kia Center tomorrow at 7:30 p.m. ET, the Orlando Magic also deployed a renovated control room that was completed in time for the start of this season. The franchise’s in-venue production team worked closely with Alpha to transform the 15-year-old, baseband-powered space into a full SMPTE ST 2110 IP-based space with the latest bells and whistles.

48 PRODUCTS RECEIVE IPMX CERTIFICATION AT ISE 2026

At ISE 2026, the Alliance for IP Media Solutions (AIMS) officially revealed the first 48 products that have been certified to the Internet Protocol Media Experience (IPMX) standard.

Following rigorous testing, solutions from Bridge Technologies, Matrox, Adeas / Nextera, Panasonic, Cobalt, intoPIX, plexusAV, Megapixel, Novastar, and Evertz were among those successfully certified. These products will now carry the IPMX branding, signalling verified compliance with published transport, control, and interoperability requirements.

IPMX, Certified. What Does This Mean? We Explain, in Detail.

With certification now in place, IPMX enters a new phase. What was once an emerging effort is now defined, testable, and verifiable. For manufacturers, integrators, and end users alike, IPMX certification provides a clear basis for design decisions, procurement, and deployment.

Inside Walmart’s IP-based broadcast transformation using Grass Valley’s production systems

Walmart’s Sam Walton Hall Event Center combines live events and broadcast operations within a SMPTE ST 2110 IP environment. Standardising on Grass Valley production systems, the facility enables consistent, multilingual communications across a global workforce of more than two million associates.

ITN continues its IP transformation

Like many other broadcast organisations, ITN has been on a journey away from SDI-based workflows towards IP for some time now. In fact, many studios and PCRs (production control rooms) at its site on Gray’s Inn Road, London, have already been upgraded to meet the ST 2110 standards. Now the upgrade initiative has reached PCR6, which is used on a daily basis by Channel 4 News.

AIMS to Officially Launch IPMX as a Fully Developed Standard at ISE 2026

In what it terms as a “major milestone for Pro AV-over-IP at ISE 2026,” AIMS announced the official launch of Internet Protocol Media Experience (IPMX) as a fully developed, certifiable standard. Taking place Feb. 3–6 at the Fira de Barcelona in Barcelona, Spain, ISE 2026 will be the first major industry event to showcase formally certified IPMX products.

Mobile TV Group Reflects on Launch of 47 Flex Mobile Unit, Looks Ahead to New Cloud Control Platform

“This is our third all-IP mobile unit, but it’s the first [in which] the native device-to-device IP connection is made through NMOS-04 and -05,” says Phil Garvin. “That is huge because it reduces the installation and coordination time for an IP truck dramatically. That’s the big change here. It’s getting close to the point of plug-and-play, where you can connect two IP devices and they just talk to each other. There’s no question that native IP has been difficult, but it’s now getting easier with advancements we’ve made.”
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IP Showcase Channel at 2020 NAB Show New York Goes Live Today

The Alliance for IP Media Solutions (AIMS) is live today at the 2020 NAB Show New York with its own IP Showcase channel. The IP Showcase channel gives attendees a unique opportunity to take in instructional and case-study presentations from industry-leading vendors and broadcasters. A series of 35-minute presentations and discussions will focus on the broadcast industry’s move to standards-based IP infrastructure for real-time professional media applications. All content will be posted for on-demand viewing and available for 30 days. IP Media Network Management Using NMOS featuring Jed Deame, Founder and CEO, Nextera Video
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Grass Valley Technology Behind the World’s Largest SMPTE 2110 IP Network at BBC Cymru Wales New Central Square HQ

The broadcaster’s new purpose-built national headquarters, which replaces the old Llandaff complex – home to the broadcaster for over 50 years – is the first BBC facility built completely around IP technology, and the world’s largest SMPTE 2110 IP routing system for broadcast. BBC Wales will benefit from future-ready production and broadcast capability that can easily evolve with its changing needs.
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Preserving PTP in Remote Production Environments

IP is a key enabler of remote production applications, as it supports transport of both audio and video, as well as the data, communications and control signals critical in the production environment. Oftentimes, the challenge lies in connecting two remote sites, each with its own media-over-IP infrastructure but lacking the IP switching and Precision Time Protocol (PTP) implementation essential to preserving timing and synchronization across both sites. PTP specifies a methodology for synchronizing devices to a single shared clock across packet-based networks (using SMPTE ST 2110 and AES67), including Ethernet switches and IP routers. Creating a common time base for multiple AV sources, PTP enables synchronization of device clocks to within nanoseconds, even across a large network.
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AIMS IP Oktoberfest: How to Plan and Deploy a SMPTE ST 2110 Network

To move forward with the design and deployment of a SMPTE ST 2110 network, Robert Welch, technical solutions lead at Arista, has a simple piece of advice: work backwards. “Try to figure out what you are trying to do with it [the network], and then go in reverse,” said Welch during his “Proper Network Design and Considerations for SMPTE ST 2110” presentation, the final session at the virtual AIMS (Alliance for IP Media Solutions) IP Oktoberfest 2020.
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NEP Group Rolls Out IP-Based Supershooter 4, Supershooter 9 Production Units

NEP Group has introduced two new mobile production units with the latest IP innovations for the fall’s return of live sports and entertainment. NEP Supershooter 9 and NEP Supershooter 4 launched with advanced, fully IP-based technology and the latest creature comforts amid health and safety measures required to operate safely in today’s production environment. The mobile units are the fourth and fifth IP production units in NEP’s U.S. lineup, building upon the company’s rollouts of SMPTE ST 2110 EN3, M15 and Supershooter 8 since 2018.
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AIMS ‘IP Oktoberfest’ to Update Industry on Transition

“The migration toward IP-based media workflows has accelerated in recent months, so it's more important than ever that broadcast and pro AV professionals have access to current information on the standards and solutions supporting this shift,” said Mike Cronk, AIMS chairman of the board. “We've designed IP Oktoberfest 2020 to offer this information in an engaging, interactive format with plenty of opportunity for discussion.”
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How to move incrementally to IP

The broadcast industry is understandably focusing on the infrastructure of the future, and without doubt this will be based on IP, and built on standards like SMPTE ST 2110 and NMOS IS-04/05...broadcasters must concentrate on building out the IP media network, which of course provides the greatest benefits in terms of costs-savings and workflow transformation. As part of this though, they need to consider how to accommodate SDI equipment, and indeed in some cases SDI networks.
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Tech Focus: Streaming Technology — The Pandemic Speeds Transition to IP

Broadcast sports production was already well on its way to embracing an IP-based workflow before COVID-19 arrived and compelled sports to shut down last March. Unlike some other technology migrations — such as the shift from stereo to surround and current moves towards immersive sound, both driven largely by the technologies themselves — the move to IP has been propelled by its own business case. “COVID-19 emphasized the need for IP workflow and sped up its uptake,” says Stephan Türkay, senior product manager, media infrastructure, Lawo. “The difference between before and now is that, last year, the driver for IP was scale and now it’s about enabling people to work [more remotely]. [It’s] a different kind of REMI, with fewer people in the same control room. Being able to implement social distancing in the production workflows is vital.”
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IP Showcase – Summer Sessions 2020

Each week a new session will be available for replay where an industry expert will deliver a presentation focused on media-over-IP workflows or use cases and their supporting technologies. Joined by sponsors, AES, AMWA, EBU, SMPTE, and the Ultra HD Forum, AIMS and VSF have created 15 weekly sessions. Presentations will feature expert commentary and use a wealth of experience and technical knowledge to delve into key aspects of media-over-IP. What is NMOS? Secure Control Case Study, Jed Deame, CEO, Nextera Video.
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Marquee Sports Network Spotlight, Part 1: Inside the RSN’s New ST 2110 IP Production Facility in Wrigleyville

Early on the in the network’s development, Sinclair Broadcast Group GM Mike McCarthy, his team of engineers, and Marquee’s production team, lead by SVP, Programming/Production, Mike Santini, decided to build a state-of-the-art, IP-based ST 2110-compliant facility. In addition, Marquee enlisted Mobile TV Group to build out an ST 2110-based mobile unit, which resulted in the RSN’s new 47 Flex mobile unit parked at Wrigley Field.
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2020 Sports Emmys: A Deeper Look at the Big Production and Technology Winners

A world feed was produced in Riot’s Los Angeles-based facilities that was delivered in 19 different languages to more than 40 distribution parters in a spectacular technical effort. And in the heat of battle, Riot Games’ Esports Technology Group decided to innovate with the new JPEG XS compression format – realizing what is probably the first trans-Atlantic remote production undertaken using JPEG XS. SVG Europe’s Fergal Ringrose was in Paris to speak with Riot Games Esports Technology Group head Scott Adametz to break down the overall production, notably how Riot used SMPTE 2110 both in Paris and Los Angeles to distribute uncompressed and compressed video segments.
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How SMPTE Standards Support Next-Gen Content Creation and Consumption

The COVID pandemic has accelerated developments that were already underway, and many media organizations have moved forward more boldly in migrating from SDI to IP, from a push-based distribution model to a collaborative supply chain, from physical hardware to virtualized software systems, from equipment rooms to the datacenter, from physical equipment to cloud- and service-based workflows, from centralized to distributed productions, and from manual tasks to automated workflows.
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Vox Pop: The Road To IP

Over the past few years, we’ve seen the broadcast industry shift from expensive, inflexible hardware defined contribution and distribution solutions to more flexible and dynamic software-defined solutions that rely on IP distribution for live and live linear video.
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Rwanda’s State Broadcaster Goes Ultra Hi-Tech

Rwanda has always taken the lead on the African continent when it comes to matters of digital compliance and there is no disappointment with the latest acquisition for the state broadcaster. Recently Rwanda Broadcasting Agency (RBA) received the first model of a Streamline S12T OB, a new member of the Streamline family of OB vans on the continent.
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NEW EBU PYRAMID SHOWS MATURATION OF THE ST 2110 ECOSYSTEM

The EBU has published an updated version of Tech 3371 and its 'Technology Pyramid for Media Nodes' graphic, a visual representation of user requirements, priorities and the market’s progress in creating and implementing relevant supporting standards and protocols in the SMPTE ST 2110 ecosystem of LiveIP technology. One of the most striking changes is that the Pyramid is greener now, reflecting a greater maturity of product implementations overall, relative to what the earlier version showed.
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AIMS Launches Resource for Pro A/V

The Alliance for IP Media Solutions (AIMS) has launched a website for its new Internet Protocol Media Experience (IPMX) proposed set of open standards and specifications. IPMX is meant to address the Pro A/V industry’s need for a single set of common, ubiquitous, standards-based protocols that ensure interoperability for A/V over IP, according to AIMs. It proposes open standards and specifications built on SMPTE ST 2110 and designed to enable carriage of compressed and uncompressed video, audio and data over IP networks.
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