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Industry News

“SMPTE 2110-30 was developed specifically to make audio as compatible as possible with video. By using the widely-accepted AES67 standard as a base, this new standard allows a wide range of existing audio equipment to harmonize with the rest of the 2110 suite.”

The full title of SMPTE ST 2110-21 is “Professional Media Over Managed IP Networks — PCM Digital Audio.” This standard is closely related to, and heavily based on AES67, which is titled “AES standard for audio applications of networks — High-performance streaming audio-over-IP interoperability.” Although the document titles may not be totally self-explanatory, both standards are all about transmitting raw, uncompressed samples of audio signals directly within RTP/UDP datagrams using an IP network.
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World’s first transatlantic SMPTE 2110 IP live transmission yields no discernible operational latency

Sony and CenturyLink, Inc. (NYSE: CTL) today announced the successful completion of a test to determine the operational latency of a long-distance Remote Integration (REMI) connection between New York and London. Broadcasters today are challenged to meet an ever-growing demand for video content at the lowest cost possible. However, remote production workflows, which reduce costs, can often result in operational latency when content travels internationally. As part of this test, the companies simulated a live broadcast for a global news organization, resulting in the world’s first transatlantic SMPTE 2110 IP live transmission. The simulation yielded no discernable operational latency on the video sources.
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SMPTE ST 2110-21: New standard has rules to ensure high-bitrate video streams don’t overwhelm IP networks

The full title of SMPTE ST 2110-21 is “Professional Media Over Managed IP Networks: Traffic Shaping and Delivery Timing for Video.” Both of these terms refer to the same basic topic: how are the packets transmitted over the network, from the perspective of both the sender and the receiver? In other words, how should packet flows be sent into the network “pipes” so as to not cause flooding (of packets)? Answering these questions is crucial for properly provisioning network connections to support as many signals as possible without causing packet congestion, which could lead to packet loss.
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SMPTE ST 2110-20: New standard frees up valuable bandwidth

The full title of SMPTE ST 2110-20 is “Professional Media Over Managed IP Networks: Uncompressed Active Video,” and that is a good indication of what is contained in the standard. Specifically, uncompressed video images are transported (just like SDI), but only the data that make up the “active” portion of each video frame. In other words, just the image samples (also called pixels) that comprise the pictures to be delivered to viewers are transported within the new IP video format.
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SMPTE Launches Virtual Course on SMPTE ST 2110, Professional Media Over Managed IP Networks

SMPTE®, the organization whose standards work has supported a century of advances in entertainment technology and whose membership spans the globe, today announced that in March 2018, the Society will offer "Understanding SMPTE ST 2110: Live Production of Professional Media Over Managed IP Networks," an educational program focused on SMPTE ST 2110. Led by SMPTE Fellow Thomas Bause Mason, this SMPTE Virtual Classroom course will provide attendees with the knowledge they need to help their companies make the most of SMPTE ST 2110, a critical enabler of fully internet protocol (IP)-based operations.
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Adeas and Nextera Press Release

Adeas and Nextera collaborate on SMPTE 2110 + 2059 Complete Solution October 31, 2017 - El Dorado Hills, CA and Eindhoven, The Netherlands – Nextera Video, Inc. and Adeas B.V. are pleased to announce they have partnered up to provide a complete SMPTE 2110 solution...

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CSS Group and CCTV build China’s first SMPTE 2110 based IP system for the 23rd Winter Olympics in Pyeongchang, Korea

UHD (ultra-high definition) technology has gained increasing popularity with the development of broadcast & TV industry in recent years. From front-end production systems to TV terminals, the UHD technology has gradually shifted from early tentative ideas to mature industrial applications. The early UHD scheduling systems used to adopt four cables and one UHD channel for transmission, which imposed severe restrictions on the system in terms of construction, operability, and system performance. After official publication of SMPTE2110 standard and in view of the rapid evolution of high-bandwidth network devices (25G/40G/100G…), IP-based UHD signal scheduling and processing systems will be the natural technical trends for TV media industry.
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What SMPTE-2110 Means For Broadcasters

At last month’s IBC Show, SMPTE announced that three of the main documents in the new series of IP video standards (SMPTE ST 2110) have been finalized. Years of work have led up to this point, which should prove to be a pivotal moment in the ongoing migration of media networks to use IP networking technology. Once this new standard is fully released and implemented over the next few months, manufacturers will be able to supply devices that can seamlessly interconnect uncompressed video, audio and other important metadata between devices that support every conceivable video processing function.
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SMPTE 2017 Press Release

Nextera's OEM Video over IP Solutions October 13, 2017 - El Dorado Hills, CA - Nextera Video is excited to offer their new line of OEM Video over IP boards, boxes, and control software. These products will enable OEM customers to provide differentiated solutions with...

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IBC 2017 Invitation

July 20, 2017 - El Dorado Hills, CA - Stop by! Nextera will be participating in the IP Showcase at IBC2017, September 15th - 19th, 2017 at RAI Amsterdam. If you would like to schedule a one on one meeting to learn more about Studio Video over IP or Nextera's...

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What SMPTE 2110 is exactly and why it matters for IP production

There has been a huge amount of activity in the area of IP standards in recent months, with the AIMS-championed SMPTE 2110 suddenly emerging very much as the front runner. There may be a breakout of peace in Las Vegas this week as the industry talks about openness, harmonisation and compatibility. That’s in sharp contrast to the mood music this time last year and even at IBC 2016 where vendors were divided into different camps in a battle to control the very fabric of future production: IP. End users couldn’t or wouldn’t distinguish between AIMS, Sony, ASPEN or NewTek since they just wanted the industry to settle on one method of working and simply get on with it.
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NAB 2017: Before The Show

April 22, 2017, NAB 2017 Las Vegas Convention Center - Las Vegas, NV - Things are beginning to shape up to be one of the most exciting NAB’s to date, lots and lots Video over IP! Nextera was there bright and early Saturday morning to set up, this year we are at FIVE...

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NAB 2017 Invitation

April 10, 2017 - El Dorado Hills, CA - Let's chat! Nextera will be in attendance at the NAB 2017, April 22nd - 27th, 2017 at the Las Vegas Convention Center, and would be more than happy to discuss some of our impressive video solutions. You're invited to stop by and...

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Sony Utilizes Juniper Networks’ Open Technology for IP-Based Production Platform

Juniper Networks (NYSE: JNPR), an industry leader in automated, scalable and secure networks, has collaborated with Sony Professional Solutions Europe to deliver its switching technology to support Sony's IP Live production solution. This enables broadcasters to capture and distribute live coverage of major sporting, cultural and political events globally. By leveraging Internet Protocol (IP) networks, IP Live is designed to solve the challenge of transporting massive volumes of rich-content data in real-time between outside broadcast locations and production studios in a cost-effective and reliable manner. Juniper's open, interoperable technology aligns with Sony's requirement to tailor open solutions to the exact needs of each customer.
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BBC Studioworks future-proofs Television Centre with investment in Sony 4K over IP

Sony’s technology was selected not only for the all-in-one solutions package it offers, but for its open standards approach. Acting as an enabler for 4K technology, Sony’s IP solution works harmoniously with the infrastructure within the Television Centre studios, avoiding any disruption to the company’s established workflows and opening up a path to HDR. Using Sony’s IP Live Production System, Studioworks is empowered to broadcast quality 4K and HD video, audio synchronisation signals and control data in real time over standard IP and network infrastructures.
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