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Industry News

The Pro AV World in 2026: What has Changed Since Last Year?

The biggest change in the last six months is that modern networked AV is no longer just about moving signals over IP. It is, noticeably, much more about running AV as an IT-governed service. In the 2025 AV Technology article, thought leaders emphasized open standards such as IPMX and SMPTE ST 2110, cloud-native management, predictive maintenance, and the need to avoid vendor lock-in. In 2026, that has become more concrete. AIMS used ISE 2026 to formally launch IPMX as a certifiable standard, a meaningful step for buyers who want interoperable, standards-led deployments rather than proprietary ecosystems alone.

IP Showcase’ Returns To 2026 NAB Show

The Alliance for IP Media Solutions (AIMS), Advanced Media Workflow Association (AMWA) and the Video Services Forum (VSF) say that the event, running April 18-22 in the West Hall of the Las Vegas Convention Center, will focus on how open IP standards bridge real-time production with cloud-native and distributed workflows — with the recently finalized and certified IPMX standard taking center stage.

AIMS will feature demonstrations of certified IPMX products in Booth W1355, while also presenting hands-on training sessions in Room W317.

Case Study: Inside NC State’s Fast-Track Migration to SMPTE ST 2110

Choosing SMPTE ST 2110 positions us for the future. IP-based systems offer higher capacity, flexibility, and scalability than baseband. Lifecycle upgrades will introduce IP-native cameras, switchers, and replay systems, reducing reliance on baseband without disruptive overhauls.

SMPTE ST 2110 IP Media Roadshow

The SMPTE ST 2110 IP Media Roadshow is a hands-on, full-day training program for media professionals navigating the shift from SDI to IP-based production, focused on how IP systems actually perform in real broadcast, live production, and hybrid SDI-IP environments.

Participants leave with the practical knowledge to implement, troubleshoot, and scale IP systems with confidence — and a shared technical vocabulary that strengthens collaboration across engineering, IT, and operations teams.

Orlando Magic Jump Into ST 2110 With New Production-Control Room at Kia Center

Tipping off the second half of the 2025-26 home schedule against the Houston Rockets at Kia Center tomorrow at 7:30 p.m. ET, the Orlando Magic also deployed a renovated control room that was completed in time for the start of this season. The franchise’s in-venue production team worked closely with Alpha to transform the 15-year-old, baseband-powered space into a full SMPTE ST 2110 IP-based space with the latest bells and whistles.

48 PRODUCTS RECEIVE IPMX CERTIFICATION AT ISE 2026

At ISE 2026, the Alliance for IP Media Solutions (AIMS) officially revealed the first 48 products that have been certified to the Internet Protocol Media Experience (IPMX) standard.

Following rigorous testing, solutions from Bridge Technologies, Matrox, Adeas / Nextera, Panasonic, Cobalt, intoPIX, plexusAV, Megapixel, Novastar, and Evertz were among those successfully certified. These products will now carry the IPMX branding, signalling verified compliance with published transport, control, and interoperability requirements.

IPMX, Certified. What Does This Mean? We Explain, in Detail.

With certification now in place, IPMX enters a new phase. What was once an emerging effort is now defined, testable, and verifiable. For manufacturers, integrators, and end users alike, IPMX certification provides a clear basis for design decisions, procurement, and deployment.

Inside Walmart’s IP-based broadcast transformation using Grass Valley’s production systems

Walmart’s Sam Walton Hall Event Center combines live events and broadcast operations within a SMPTE ST 2110 IP environment. Standardising on Grass Valley production systems, the facility enables consistent, multilingual communications across a global workforce of more than two million associates.

ITN continues its IP transformation

Like many other broadcast organisations, ITN has been on a journey away from SDI-based workflows towards IP for some time now. In fact, many studios and PCRs (production control rooms) at its site on Gray’s Inn Road, London, have already been upgraded to meet the ST 2110 standards. Now the upgrade initiative has reached PCR6, which is used on a daily basis by Channel 4 News.

AIMS to Officially Launch IPMX as a Fully Developed Standard at ISE 2026

In what it terms as a “major milestone for Pro AV-over-IP at ISE 2026,” AIMS announced the official launch of Internet Protocol Media Experience (IPMX) as a fully developed, certifiable standard. Taking place Feb. 3–6 at the Fira de Barcelona in Barcelona, Spain, ISE 2026 will be the first major industry event to showcase formally certified IPMX products.

Blurred broadcast lines

Thanks to the efforts of SMPTE and multi-vendor promotional body AIMS (Alliance for IP Media Solutions) in galvanising broadcast around the open standard ST 2110, broadcasters are able to build new IP-based facilities using best of breed equipment from a whole range of vendors. In this regard, the AV community lags behind. “SMPTE 2110 is an accomplishment that drew in end users, manufacturers, and all other stakeholders in products and services,” says Racine. “It may take longer, but this is inevitable in pro AV as well.”
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SMPTE ST 2110 a Success in Review

“The beauty of ST 2110 is that it allows this complexity,” Devlin adds. “It does everything from SD all the way up to 8K RGB 12-bit uncompressed to a solution demanding a 100GB link streaming video in one direction. In either case you are using the same protocols, the same switching, the same standard IT architectures.” From that standpoint 2110 is about as successful as anything the TV industry has ever done, Mailhot says. “At the beginning [2110 compatible product] was built speculatively. Today, it is available because the market demands it.”
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AV-over-IP: Decisions, decisions…

ST 2110 is proven and deployed, and as SMPTE, AMWA, VSF and the AIMS Alliance add further AV-specific features to IPMX, it can leverage the software platforms and programmable SoC devices that are likely to be already in your system for updates. It’s still the standard to choose if you want least risk and a future-proof AV-over-IP implementation.
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Whatever Happened to SDI?

Today, ST 2110 technology is widely available from all the vendors you are likely to deal with, and it is field proven—not a science experiment. Major systems integrators the world over all have experience in building systems based on SMPTE ST 2110.
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SMPTE Earns Two 2020 Emmy® Awards for Technology and Engineering

The SMPTE ST 2110 suite of standards is a major contributing factor in the movement toward one common internet protocol (IP)-based mechanism for the professional media industries. The standards suite, which is built on the VSF Technical Recommendation for Transport of Uncompressed Elementary Stream Media Over IP (TR-03), specifies the carriage, synchronization, and description of separate elementary essence streams over IP for real-time production, playout, and other professional media applications.
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In the Business of News

Pebble Beach Systems, which had already worked with Bloomberg UK to deliver a similar system, was mandated to build a modern 2110 NMOS-compliant set-up capable of providing the dynamic and complex switching required for a business news channel. Its real benefit is that it is future-proof and flexible, using the latest technology advances to build a complex pipeline (transmission chain) encapsulated in a redundant server pair with no compromise on reliability.
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M6 Embraces The Benefits Of Evertz IP Technology For Its New Playout Centre

Leading French broadcaster Metropole Television SA (commonly known as the M6 Group) has futureproofed its new Master Control Room near Paris by placing state of the art Evertz IP technology at the heart of its operation. The switch from SDI to IP (ST 2110) will allow M6 to easily incorporate new HD services, new delivery platforms and new video formats such as Ultra HD 4K and 8K.
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MediaHub Australia Makes a Significant IP Upgrade With EVS, Magna Systems

"Our key requirements were to have flexible gateways or server devices to convert any incoming signal format from various service providers – who deliver as SDI/IP/ASI – to a standard IP format SMPTE-2022-6/7 or SMPTE 2110 for our MCR to process,” says MediaHub’s Executive Head of Technology, Simon Scott. “One of the key needs was operational control surfaces to provide the same touch and feel of a traditional SDI routing system, but with the signals being managed in IP workflows."
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AIMS Booth at SMPTE 2020: ‘Game On’ Will Offer Educational Videos and Resources on Media Over IP

“The industry’s embrace of IP has accelerated in past months, with new business pressures and technical challenges driving adoption and innovation,” said AIMS Chairman Mike Cronk. “Ongoing education is vital to the success of new and expanding media-over-IP implementations, and the SMPTE annual technical conference is an ideal forum in which to share expert perspectives, insights, and practical advice on leveraging standards and specifications to achieve interoperability in the IP environment.”
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AIMS Chairman Mike Cronk On ST-2110; IP Oktober Webinars Available On Demand

Cronk says that SMPTE ST-2110 continues to make gains, especially in areas like making configurations and connections simpler. And the AIMS membership continues to add members from the professional A/V community and that efforts related to IP in that community, notably IPMX and new ways to put the ST-2110-2 standard for compressed transport is the kind of work that could benefit the traditional broadcast market.
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SVG Tech Insight: Establishing A Safe, High-Quality Sports Production With Modern Technologies

Typically, SMPTE-2110 systems afford more flexibility, as its ethernet transmission base allows for embedding and disembedding of audio or video. NMOS (Networked Media Open Specification) control of all IP converters, for instance, can be centralized to a remote laptop station to ensure the safety of the operating staff and allow the operator to dynamically route video and audio essences with ease. New sources can be added dynamically as needed, and just as with fiber, an existing network can be easily updated by using an appropriate IP converter at each end of the video signal chain, to provide safer distancing with high quality and low latency video. IP offers advantages to both live production for OB trucks as well as to permanent studio installations, with the ability to scale to almost any format and frame rate further down the road. IP does require much more complex installation and management than fiber.
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Game Creek Video Deploys Five New SMPTE ST 2110-Based Mobile Units

The 53-foot-long expandable units are entirely IP-based facilities. Game Creek Video rolled out the first two production units, Bravo and Columbia, in late 2019. They were followed this year by Gridiron A and B and Celtic. Gotham is currently being completed. Fox Sports will use Bravo and Gridiron for NFL and college football coverage, while CBS Sports has reserved Columbia and Celtic for its NFL and college basketball broadcasts. MSG Networks will use Gotham for its New York Rangers hockey and New York Knicks basketball coverage.
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SMPTE 2020: ‘Game On’ Introduces Series of Program Sessions Optimized for Attendees in the Asia-Pacific Region

SMPTE® today announced that SMPTE 2020: “Game On,” the Society’s interactive and immersive remote technical conference experience, will include a series of technical sessions, roundtable discussions, and networking events specially designed for attendees who live or work in the Asia-Pacific (APAC) region. The APAC program will feature four hours of programming per day on 11 and 12 November, beginning with breakfast roundtables at 8 a.m. Hong Kong / 9 a.m. Tokyo/Seoul / 11 a.m. Sydney. NMOS – The Interoperable Control System for an IP World Speaker: Jed Deame, Nextera Video
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