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Industry News

AIMS to host in-depth IPMX training sessions at 2025 NAB Show

The Alliance for IP Media Solutions (AIMS) invites attendees of the 2025 NAB Show to join “IPMX Training: The Essentials,” an exclusive, in-depth training session focused on IPMX, the emerging open standard for AV-over-IP based on SMPTE ST 2110 and AMWA NMOS. Taking place on Tuesday, April 8, from 10 a.m. to 2 p.m. in the Las Vegas Convention Center West Hall, Room W317, this free-to-attend session will deliver practical, real-world knowledge for anyone working with media-over-IP technology

ESPN and Game Creek Video’s New ‘Once-in-a-Generation’ Mobile Unit Is Capable of Native UHD HDR at Super Bowl Scale

Super Bowl LXI may still be two years away, but ESPN is already ringing in its first Super Bowl season with a new state-of-the-art mobile unit from Game Creek Video. Dubbed Flagship, the three-truck SMPTE ST 2110 facility was designed specifically to produce a Super Bowl–level show in UHD HDR and will serve as home to ESPN’s NBA A-game and Monday Night Football shows prior to Super Bowl LXI on ABC/ESPN in February 2027.

Seamless SMPTE 2110: A Discussion on Making the Move to IP Less Painful

In this exclusive panel discussion, video engineers and producers discuss the topics relevant to those who are looking to transition to or optimize their current systems using SMPTE 2110 standards.

IP Showcase To Focus On IP, Broadcast Tech Convergence at 2025 NAB Show

As broadcasters and AV professionals increasingly rely on shared IP-based infrastructures, IPMX provides an open-standards-based technology that enables seamless interoperability, high performance and scalability across diverse applications. With NAB’s growing focus on Pro AV, this year’s show offers the perfect platform to demonstrate how IPMX is driving innovation, breaking down barriers, and unifying the way we create, distribute and experience content.

What Integrators Need to Know About IPMX

IPMX delivers a non-proprietary standard for pro AV video solutions, enabling interoperability between manufacturers and offering the freedom to mix and match products like encoders and decoders.
Its flexibility supports diverse workflows, including HDMI-based presentation systems and live production environments, making it a versatile solution for varied customer needs.
By reducing technical barriers, IPMX empowers AV integrators to focus less on bridging technology gaps and more on delivering creative, scalable solutions.

Mercedes-Benz Stadium Overhauls Production Ecosystem With Upgraded Control Rooms, New Integrated Workflows

Among professional-sports venues, Mercedes-Benz Stadium is one of the busiest in the country. After providing world-class experiences for seven years, its in-house production space needed a refresh to keep up with the year-long schedule. Implemented in three phases during 2024, new SMPTE 2110–powered control rooms have upgraded production quality in Atlanta.

ISE 2025: A Look Into AIMS Member Kiosks

“The partner kiosks offer ISE attendees in-person demonstrations of the rapid advancement of the standard, and its ease of implementation across multiple technologies and verticals. Thanks to the collaboration of these member companies, ISE 2025 will be a feast of information and practical application of the open-standard for AV-over-IP.”

VidTrans 2025 to Focus on Security, Dynamic Media Production

Video Services Forum (VSF) today announced that the VidTrans 2025 conference and exposition will take place Feb. 25-27 at the Marina del Rey Marriott in Marina del Rey, Calif. The 2025 event will address security in media production, evolving live media cloud connectivity, IPMX, and other cutting-edge technologies.

ISE 2025: AIMS to Reveal Whirlwind of IPMX Activity

Created by AIMS in collaboration with VSF and AMWA, IPMX implements a standards-based approach based on SMPTE ST 2110, with features and capabilities that target the specific needs of the broadcast and Pro AV industries. In addition to simplifying the implementation of SMPTE ST 2110 and ensuring interoperability for AV-over-IP systems, IPMX incorporates core features tailored to Pro AV installations.

Spotlight on the sports: Production trends that shaped 2024, according to AJA

2024 may just go down as the year of SMPTE ST 2110. Enabling sports broadcasters to move uncompressed video, audio, and metadata over dedicated IP networks with low latency, the set of IP standards drew new attention from broadcasters and production facilities alike in 2024. More broadcasters and production teams embraced the technology, often in an IP sandbox, or hybrid SDI/IP environment, to seamlessly deliver uncompressed 4K/UltraHD HDR video across productions.

IBC 2018 – Press Release

Nextera, Adeas, and intoPIX Team for 4K Video over ST 2110 September 12, 2018 - IBC2018, Amsterdam, Netherlands - Nextera Video and Adeas, two leaders in the FPGA IP space, have teamed with intoPIX to demonstrate the industry’s first comprehensive FPGA solution for 4K...

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IBC 2018 Invitation

September 3, 2018 - El Dorado Hills, CA - Join us! Nextera is looking forward to an exciting show at IBC this year, partnering with Adeas to deliver the most comprehensive SMPTE based video over IP product line, consisting of ST 2110, ST 2059, and NMOS control...

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NAB 2018: NMOS IS-04 and IS-05 Demo

Nextera's Jed Deame demonstrating NMOS IS-04 and IS-05 at the IP Showcase during NAB 2018 May 30, 2018 - El Dorado Hills, CA - In this demonstration, the Nextera/Adeas NMOS/ST2110 Reference Design is running on a KCU105 board (packaged in a 2RU box) and connected to...

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SMPTE ST 2110: Structuring the Future of Broadcasting- “This standard is a game changer”

Internet Protocol (IP) technology is the wave of the future for the broadcasting industry, providing more flexibility, scalability, and cost savings, plus increased mobility – IP networks have been deployed just about everywhere, including in the International Space Station and Antarctica. You may even be holding an IP device – your smart phone – in your hand right now.
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NEP adopts SMPTE 2110 and pioneers a new era for broadcasting

The migration of video networks to Internet Protocol (IP) technologies has been one of the most talked about – and misunderstood – topics in broadcasting for some time. Years of uncertainty have finally been settled with the industry’s adoption of SMPTE ST 2110 (or ‘IP 2110’), making ‘any production, anywhere’ a reality, and offering scale and flexibility that until now were hardly imaginable.
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NEP unveils first ST 2110 IP-based production truck in North America for ESPN

Every NEP launch pushes the technological envelope. The debut of EN3 for ESPN on March 30, however, was historic: it’s the first truck in North America built around a SMPTE ST 2110 IP routing core. After a long standardization process, SMPTE officially published the first standards within ST 2110 Professional Media Over Managed IP Networks in December, and EN3 is the first mobile unit to be designed and integrated specifically around the new standards suite.
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“NEP’s first single-truck unit with IP based routing easily adapts to different formats and standards, creating greater flexibility”

I would say NEP is the US outside broadcast (OB) market technology leader in IP-based systems. 1080P, HDR and 4K were topics of daily discussion at NEP several years back, so the move to IP was firmly on our radar. However, we had to time it right to create a format agnostic system that provides a robust path into the future.
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“SMPTE 2110-30 was developed specifically to make audio as compatible as possible with video. By using the widely-accepted AES67 standard as a base, this new standard allows a wide range of existing audio equipment to harmonize with the rest of the 2110 suite.”

The full title of SMPTE ST 2110-21 is “Professional Media Over Managed IP Networks — PCM Digital Audio.” This standard is closely related to, and heavily based on AES67, which is titled “AES standard for audio applications of networks — High-performance streaming audio-over-IP interoperability.” Although the document titles may not be totally self-explanatory, both standards are all about transmitting raw, uncompressed samples of audio signals directly within RTP/UDP datagrams using an IP network.
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World’s first transatlantic SMPTE 2110 IP live transmission yields no discernible operational latency

Sony and CenturyLink, Inc. (NYSE: CTL) today announced the successful completion of a test to determine the operational latency of a long-distance Remote Integration (REMI) connection between New York and London. Broadcasters today are challenged to meet an ever-growing demand for video content at the lowest cost possible. However, remote production workflows, which reduce costs, can often result in operational latency when content travels internationally. As part of this test, the companies simulated a live broadcast for a global news organization, resulting in the world’s first transatlantic SMPTE 2110 IP live transmission. The simulation yielded no discernable operational latency on the video sources.
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SMPTE ST 2110-21: New standard has rules to ensure high-bitrate video streams don’t overwhelm IP networks

The full title of SMPTE ST 2110-21 is “Professional Media Over Managed IP Networks: Traffic Shaping and Delivery Timing for Video.” Both of these terms refer to the same basic topic: how are the packets transmitted over the network, from the perspective of both the sender and the receiver? In other words, how should packet flows be sent into the network “pipes” so as to not cause flooding (of packets)? Answering these questions is crucial for properly provisioning network connections to support as many signals as possible without causing packet congestion, which could lead to packet loss.
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SMPTE ST 2110-20: New standard frees up valuable bandwidth

The full title of SMPTE ST 2110-20 is “Professional Media Over Managed IP Networks: Uncompressed Active Video,” and that is a good indication of what is contained in the standard. Specifically, uncompressed video images are transported (just like SDI), but only the data that make up the “active” portion of each video frame. In other words, just the image samples (also called pixels) that comprise the pictures to be delivered to viewers are transported within the new IP video format.
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